
about me..
Who is she ?
Nobu Conifère (aka.Sayoko) is a Japanese composer, singer, musician and artist
as well as the creator behind “Dosage”
She appears as Rubishinju for the performance projects ; WolfLand which formed in 2023 with Ravi Shardja and dp_Mineral, duo with hÄk (Berlin), Vincent Epplay, with film director/mise en scène, Nieto.
Classically trained in Japan from the age of 5, she went on to study contemporary dance
in New York and Paris for 10 years.
She has worked on a large number of diversely formatted projects, including dance, films and the curation of a successful monthly cultural event Vanilla in NYC, as well as the opening member of P.Picasso, the legend club in Tokyo.
Her compositions suggest the symbiosis of two polar opposites and play with their
contrasts creating a texture of subtle harmony and discord between acoustic instruments, electronic devices, Voice and any kind of sounds inspirante. Together they draw the space with abstract lyrics
and novel sounds.
• Her music is the hypnotic poetry of fragile cinema sleeping on a bed of electro acoustic noise. – Anthony Bisset / Spectrum
• There is a delicate, limpid and slippery poetry in Sayoko’s composition, as if her notes were gently laid on a thin, gauzy layer of ice. – Silvia Bombardini /ASVOF
• Powerful and hypnotic, Dosage has created an unique mix combining club music with heavy rock riffs, dub studio techniques, noise and sexy vocals. Based in New York City these three young musicians take the classic format of guitar, bass and drums to a whole new level with the aid of sampling triggers and outboard effects. Influenced by a wide variety of music, Dosage/Empties, their debut recording is a multifaceted peek into a trippy new world of sound. – John Zorn / Tzadik Label
In 2026, her mixed-media expression of collage+dessin has started exhibiting in gallery, atelier, collective event. • The restrained palette and fragmented composition immediately suggest absence, interruption, and memory, ideas that feel deeply embedded rather than illustrated. The torn edges and layered paper fragments create a physical sense of rupture, as if the image has been excavated rather than composed, which gives the piece a raw, honest material presence. What stands out most is the balance between precision and vulnerability. The negative space is handled beautifully. Instead of feeling empty, it acts as a breathing field, giving the fragments room to resonate and inviting the viewer to complete the image mentally. There’s a quiet intelligence in how little is shown, and how much is suggested.
It speaks to fragmentation, time, and perception in a way that is understated but deeply felt. – Evelyn Tsekoura

Pink●rise
la mer où je fond dans le vide

